The Great Ones Punch in Combinations
In his writing and his clothes,
Talese is all about the details.
As a journalist and essayist, Gay Talese is famous for his exhaustive research. When he takes on a profile, he is relentless in talking to anyone who has any connection with the subject, down to (literally) the guy who shines his shoes.
His most well-known piece, "Frank Sinatra Has a Cold," is a remarkably personal portrait of Sinatra at what seems to be the moment where he is teetering at the apex of his career. Never will The Chairman be more influential or vulnerable in the same moment, and Talese manages to hold these two disparate conditions in the center of the frame throughout the entire piece with a simultaneity that is beyond impressive.
What's more impressive - he never spoke with Sinatra. You'd never know it from the essay, though, as Talese's penchant for deep research is on full display in a clinic on how open the lives of celebrities can really be, despite their efforts for control the public perception of their image.
But for my money, some of the best writing "advice" that can be derived from Talese's body of work comes from the 39 articles and profiles he wrote about Floyd Patterson over the course of his boxing career and beyond, culminating in his classic Esquire essay "The Loser." During their relationship, he saw the champ in triumph and defeat, in the ring and the training facility, in public and private, in general and specific detail.
In short, this is a different type of research, one we don't pay enough attention to - the four seasons approach. That is, see a place in all four seasons before you decide to move there. As Talese puts it in the foreword to his book Fame and Obscurity:
"And so it goes. The obsessions of a writer surface and reemerge in an unpredictable spiral; the techniques evolve, but the fantasies linger."
The same mentality is absolutely critical when it comes to writing, despite what general culture tells us.The exigencies Web culture and increasingly short news cycles privilege the immediate response. But the long view cannot get lost in our rush to publish. Twitter does not provide the platform for introspection any more than a bumper sticker. And while there are times when immediacy is the necessary medium, it is also important that writers choose to move a little slower when the situation is complex and research a subject over time.
Take a page out of Talese's book and write in combinations.
Here's the video of his conversation with us at the Writer's Symposium in 2008.
This is the third in a series of posts with reflections on writing from past participants in the Writer's Symposium by the Sea, an annual event at Point Loma Nazarene University where I work. You can find the first two posts here and here. This year's guests include Siddhartha Mukherjee, Jeannette Walls, and Anne Lamott. For more information, visit here.